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CURRICULUM
VITAE
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Mejra Mujicic was born in Split, Croatia, 1973. She graduated at the painting department of The School for Applied Arts in Zagreb. She continued her education at The Academy of Fine Arts under the supervision of Prof. Zlatan Vrkljan. She graduated The Academy in 1996 in the class of Prof. Gjuro Seder. From 1995 to 1997 she worked in Euro Disneyland as children educator in UNESCO's annual international art colony. She created several costume and stage designs in Croatia and Hungary. In 1995 she co produced a performance in Multimedia Canter in Zagreb and participated in the work of artist's colony in Motovun. She attended the animation workshop organized by Zagreb Film, Academy of Fine Arts and Royal College of Arts. In 1999 she spent three months in Mino City as a scholarship holder of Japanese government taking part in the Mino Paper Art Village Project. Since 1998 she is member of the Croatian Association of Visual Artists (HDLU) and Croatian Freelance Artists' Association (HZSU) since 2001. |
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INDIVIDUAL EXHIBITIONS: 1997 "Good morning, Geisha I"; Csopor(T) Horda Gallery, Pech, Hungary, 1998 "Good morning, Geisha II"; Forum Gallery, Zagreb, Croatia 1999 "Piling the piles for Greta Gull";(with I. M. Bitanga) Plancic Gallery, Stari Grad, island of Hvar, Croatia 2000 "020020200..."; St. Krsevan Gallery, Sibenik, Croatia |
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GROUP EXHIBITIONS: 1998 First Croatian Watercolor Triennial, Slavonski Brod / Karlovac, Croatia 1999 "Head"; Csopor(T) Gallery, Pech, Hungary 1999 "Landscape"; Csopor(T) Horda Gallery, Pech, Hungary 1999 "Mind Rest"; Mino Washi Paper Museum, Mino City, Japan 1999 "A Week in the Countryside"; ATTACK Canter, Zagreb, Croatia 2000 Croatian Graphic Triennial, Art Pavilion, Zagreb, Croatia 2000 7th Triennial of Croatian Sculpture, Glyptotheke of Croatian Academy of Arts and Sciences (HAZU), Zagreb, Croatia |
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AWARDS: 2000. The Croatian Academy of Arts and Sciences Award at Croatian Graphic Triennial, Zagreb, Croatia |
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The basic preoccupation of Mejra Mujicic's artistic expression is the examination of materials and ambient. Her Favorite medium is paper, which she uses not only two-dimensionally, but also to enter into the ambient and to create three-dimensional forms. Sometimes she uses sound as another dimension that makes new dialogues possible and stresses the ambivalence of her unique vision. Her creative drive urges her to explore various spaces and possibilities of adaptation in them and with them. Using new materials in correlation with tradition is the main concept of her artistic preference.
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